Cartooning, character design, storytelling for comic books, comic strips and graphic design. Interactive group projects and an overall positive environment for children to be creative with no judgement.

The Shadow Box Theatre’s (SBT) mission is to touch the minds and hearts of children through shadow and three-dimensional puppet-based theatre arts. SBT's programs encourage creative exploration, celebrate diversity, and teach humanistic values such as how to deal with bullying and respecting individual differences, peaceful solutions, and appreciation of our earth. This is accomplished through an integrated program of performances given in our spaces and brought to your space, creative theatre arts workshops for children, teachers, and parents, and picture books with companion audio, as well as films and audio recordings based on our musical puppet productions.

A standard visit consists of three presentations of up to an hour each. With younger children I focus the talk around my first picture book, The Foolish Giant. For grades three and up I generally use my novel The Monster's Ring. Each session begins with some high energy storytelling and includes a fair amount of humor. Along the way I address where ideas come from, issues of editing and rewriting, and demonstrate how a story is put together. The sessions are designed to include practical tips on writing that teachers can immediately put to use in the classroom.

Social and emotional learning (SEL) is an essential part of The Mystery of the Character Surprise show. In this 50 minute interactive assembly show students learn the communication skills and attitudes they need to help create a bully-free learning environment. Fifteen students participate on stage, putting these lessons into action – cooperating to stop a bully from ruining the assembly show. Students will also learn how to stop social aggression in its tracks. And they’ll have a blast while doing it! Topics covered throughout this bully-proofing magic assembly show include Being responsible in achieving goals, helping others, and empathy. Plus: Forms of bullying, solutions for victims, responsibilities of witnesses, tattling vs. telling. Includes: Courage | Flexibility | Perseverance | Effort | Making Good Choices | Bullies, Targets & Bystanders | Sense of Humor | Responsibility | Empathy | Honesty | Teamwork | Tattling vs. Telling

Portfolio Project Grades: 4 -12 Description: The Portfolio Project is an initiative of NYSATA (New York State Art Teachers Association) that was developed in cooperation with the New York State Education Department. It is an authentic assessment tool that is based on The New York State Learning Standards and provides students with an opportunity to present portfolios of their work at regional adjudication sites. The student portfolios provide evidence of understanding and student learning in the visual arts. Feedback is available for the student, parent, school, and community. The Portfolio Project can provide an authentic source for data on student success in the visual arts. Cost: $15 per student EXAMPLE of an approved BOCES Arts in Ed project: https://sites.google.com/btboces.org/classroom-enrichment-resources/arts-in-education/nysata Student Portfolio requirements vary by grade level: Elementary Level Portfolio (Grades 4-6) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Student Choice Artwork · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Middle Level Portfolio (Grades 7-8) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Commencement Level Portfolio (Grade 9 or intro level students) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Student Choice Artwork · Selection 6 Student Choice Artwork · Component 7 Student Portfolio Presentation Elective Level Portfolio (Grades 10-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Exploratory Artwork · Selection 6 Exploratory Artwork · Selection 7 Exploratory Artwork · Component 8 Student Portfolio Presentation Major Sequence Level (Grades 11-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Focused Artwork · Selection 6 Focused Artwork · Selection 7 Focused Artwork · Selection 8 Focused Artwork · Component 9 Student Portfolio Presentation This program supports the following NYS Learning Standards: Visual Arts — Creating: · Investigate, Plan, Make (generate and conceptualize artistic ideas and work) · Investigate, Consider, Respect, Make (organize and develop artistic ideas and work) · Reflect, Refine, Continue (refine and complete artistic ideas and work) Visual Arts — Presenting · Select, Preserve ( analyze, interpret and select artistic work for presentation) · Curate (develop and refine artistic techniques and work for presentation) · Share, Relate (convey meaning through the presentation of artistic work) Visual Arts — Responding · Perceive, Analyze (perceive and analyze artistic work) · Interpret (interpret intent and meaning in artistic work) · Evaluate (apply criteria to evaluate artistic work) Visual Arts — Connecting · Synthesize (synthesize and relate knowledge and personal experiences to make art) · Interrelate, Extend (relate artistic ideas &works w/ societal, cultural, & historical context) Categories: Art

The Farmers' Museum and Historic Village has lots to offer for School groups. We have a variety of tours and workshops, most of which can be tailored to a specific age group. We offer guided and self-guided tour options, as well as workshops in the Fall and Early Spring. We are also the permanent home of the Empire State Carousel, a carousel all about New York State, one of the only museums you can ride! Please feel free to reach out via phone or email with any questions.

Multi-award-winning, bestselling author Paul Volponi (38 years of classroom experience) teaching 4 to 5 workshops per day, combing how literature is a daily part of our lives and creative writing. Not a lecture, but a group dynamic where everyone speaks and writes -- powerpoint presentation in the background.

The Children's Museum at Saratoga is dedicated to creating an interactive community that inspires curiosity, sparks imagination, and nurtures discovery. We are committed to serving as a resource for Capital Region school districts and to ensuring that programs and services are accessible to all children. The Museum offers outreach and field trip programs for students from preschool to 6th grade. Each program is designed to meet the needs of each classroom with plenty of opportunities for unique hands-on experiences. Programs correlate to Common Core and Next Generation Science Standards. They are wonderful additions to classroom curriculum as either an introduction to a lesson or to enhance current classroom units. The Museum's priority is to make educational programs accessible to all students. We ask that you please share any special needs your students may have ahead of time so that we can accommodate their needs. For more information about the Museum's program catalog and prices, please check out https://cmssny.org/education/.

Nurture fun, character, wellness, reading, STEAM, and more with The UP Guys! Nels Ross and Richie Derwald uplift and empower through elementary, middle, and high school assemblies as well as staff development. They have shared 2500+ solo or duo programs to rave reviews from schools, arts centers, libraries, recreation, museums, and others. Applying their diverse training in theater, variety arts, music, and education, they promote laughter and learning! See www.theupguys.com/teaching-artists for more.

Created to serve school districts, college, libraries, and theaters across Upstate New York, CNY Jazz Management is dedicated to the educational mission of the CNY Jazz Arts Foundation, the region’s primary provider of jazz programming in concert, cabaret, scholastic and festival settings in schools and in public. Our core cultural history shows are available separately or in a group: All That Jazz, a whirlwind history of jazz; Blues Shout, a history of male blues and jazz singers of the 20th Century; Music & Musket, exploring the role of the musician in the Civil War; and Jazz On Demand, unlocking the secrets of songwriting and listening creatively! All programs are narrated and include a vocabulary/teacher’s guide. We also offer full-day or multi-day residencies by all of our large ensembles, with or without national guest soloist/teaching artists, co-designed with you to fit your program needs – clinics, jams, and grand concerts. you may preview all of our shows and watch an overview of our entire arts-in-education service at the video link on our web site. Contact us for more information about presenting any of our offerings in your school!

Caldecott medalist Paul O. Zelinsky’s school visits are about making connections: between a story’s key ideas and the artist’s tools he uses to express them; between the characters in a story and the reader, and hugely, his own connection to audiences of schoolchildren. Drawing for and with them, bringing them into his studio with slides and animations, he loves to get across how making books is fun, funny, interesting and an endless opportunity to learn. Many authors and illustrators with long careers and many honors and awards no longer visit schools and classrooms, but this is a connection Paul Zelinsky hopes never to give up. Paul O. Zelinsky is the creator of the classic moving-parts book THE WHEELS ON THE BUS and the Caldecott-medal-winning RAPUNZEL and its companion RUMPELSTILTSKIN, among others, and the illustrator of numerous notable books including Z is for Moose (written by Kelly Bingham), Dear Mr. Henshaw (Beverly Cleary) and many more.

Reggie Harris has been affiliated with the John F Kennedy Center’s Partners in Education program for over two decades, offering both multimedia performances for students and communities as well as in-depth workshops for educators at all grade levels. His writing, research, fieldwork and recordings have amassed an amazing repertoire of African American music, blending spirituals and freedom songs, the old with the new. Mentored early on by Dr. Charles Blockson and by using music and storytelling to create captivating performances for audiences of all ages, he has raised awareness of the Underground Railroad in young school audiences, college symposiums and adult concerts. • Arts-in-Education Performance Offerings "Music and the Underground Railroad" (Grades K-12) The Underground Railroad is one of the most important chapters in American History. This engaging, interactive concert of songs, stories and narratives about slavery and the quest for freedom reveals the hope, power and eventually, the triumph that was accomplished and shared by a network of multicultural allies. Through song, story and audience involvement, Music & the Underground Railroad provides an understanding of the secrets and passion of this powerful era. - Curriculum Areas:  Social studies, cultural geography, history, music, storytelling - Study Guide Link:  http://loydartists.com/images/resources/UndergroundRRStudyGuide.pdf - VideoLink: (starts with lower elementary and then changes to upper elementary around the 9:15 mark):  https://youtu.be/yu1Gzic1L14 "How Martin Climbed the Mountain!" (Grades 3-12) Dr. Martin Luther King, Jr. had a dream, but he did not dream alone. This program is an interactive multi-media presentation honoring the artists, poets, educators, inventors, explorers, scientists and other important contributors to the life and culture of America and the world, and who influenced and informed the work of Dr. King. Using stories and music, Reggie highlights how the contributions of Frederick Douglass, Harriet Tubman, Benjamin Banneker, Satchel Paige and others helped young Martin become a man who added to the fabric of our nation and who changed the world. - Curriculum Areas:  Social studies, cultural geography, history, music, storytelling - Study Guide Link: https://loydartists.com/images/resources/HowMartinClimbedPerfguide2019.pdf - VideoLink: https://vimeo.com/452762352 • Student Workshops Elementary: "Exploring the Underground Railroad in Song & Story and Classroom Interaction" "The Story of Children’s Impact on the Modern Civil Rights Movement / The Birmingham Children’s March" Middle: "Get On Board the Freedom Train  (Exploring the Underground Railroad)" "Keep Your Eyes On The Prize (AMERICAN EXPERIENCES IN CIVIL RIGHTS)" • Kennedy Center Professional Development for Teachers "Sing to Freedom: Music & Stories of the Underground Railroad" This proven in-service workshop offers a “hands on – classroom ready” historical and musical workshop on the Underground Railroad. Teachers receive valuable tools for building the knowledge base of students through effective art based curriculum connected lessons designed to open classroom study to a more vibrant exploration of history, music and language. Copies of the highly praised CD “Steal Away,” and an extensive teaching guide are included. The workshop explores the history of the Antebellum time period in America and provides information and context on how music and culture have been instrumental throughout history. Learning to sing, write, and update “code songs” based on historical words and phrases along with contemporary composition brings together both the musical and historical material contained in the workshop.