Brian Zickafoose is an award-winning Hudson Valley muralist, illustrator, and educator whose work bridges fine art and community engagement. As founder of Splash Art Murals, he transforms storefronts and public spaces across New York with vibrant seasonal and thematic designs that celebrate creativity, collaboration, and local identity. His large-scale projects—such as the Seeds of Connection mural at the Dutchess County Fairgrounds and the Art Day in the Village community banner series—demonstrate how art can activate public spaces and inspire collective pride. Through interactive workshops and artist-in-residence programs, Brian guides students in exploring visual storytelling, symbolism, and design thinking while building confidence and teamwork. His programs align with Visual Arts and SEL standards and can be adapted for grades 3–12 in classroom, assembly, or mural formats.

Have you noticed in your young ladies the same thing Miss Coco Flamenco has noticed – how pre-teen and teen girls shrink inside – and overcompensate outside – while the boys just… don’t? And when there’s a phone camera involved, have you noticed the stark difference between the girls’ self-conscious primping and the boys’ in-your-face pomp? Enter The Flamaze Girls – Preciosa and Danielle – played by Miss Coco Flamenco herself! Watch in flamazement as your young ladies open up to the hilarity/honesty, the grace/guts, the Flamenco moves/freedom grooves. Miss Coco brings her 30 years of stewarding young ladies into adulthood, through her time as professor, department chair, and choreographer. She has seen joyful transformations happen within the space of a single show – countless students have started watching her show with arms crossed and that “fake-bored-girl” face… only to rush to the stage afterwards for a hug and an autograph. And perhaps a blurted-out, “I used to dance, too!” Or “When are you coming back?” Or simply, “Thank you, Miss Coco.” Your young ladies will EMBRACE their betrayer bodies and UNLEASH their sensitive souls within the time-tested safe space created by the ancient, powerful, confident women of Flamenco, and under the careful guidance of Miss Coco Flamenco herself – with the dance moves and spoken word of everyone’s newest friends, Preciosa and Danielle, of course! 7th grade girls get sulky faced – clap-clip-clap-and-stomp, they erase. 8th grade girls get crossed arms – clap-clip-clap-and-stomp, they harm. Un-flamazing girls get nutsy, but! Flamaze girls? Stomp-stomp-stomp get GUTSY!

We offer small group or class sized lessons on art history, including American artists Winslow Homer, George Inness, Childe Hassam, and many more. These are 45 minutes and usually include an art making activity. https://www.arkellmuseum.org/school-programs

Portfolio Project Grades: 4 -12 Description: The Portfolio Project is an initiative of NYSATA (New York State Art Teachers Association) that was developed in cooperation with the New York State Education Department. It is an authentic assessment tool that is based on The New York State Learning Standards and provides students with an opportunity to present portfolios of their work at regional adjudication sites. The student portfolios provide evidence of understanding and student learning in the visual arts. Feedback is available for the student, parent, school, and community. The Portfolio Project can provide an authentic source for data on student success in the visual arts. Cost: $15 per student EXAMPLE of an approved BOCES Arts in Ed project: https://sites.google.com/btboces.org/classroom-enrichment-resources/arts-in-education/nysata Student Portfolio requirements vary by grade level: Elementary Level Portfolio (Grades 4-6) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Student Choice Artwork · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Middle Level Portfolio (Grades 7-8) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Commencement Level Portfolio (Grade 9 or intro level students) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Student Choice Artwork · Selection 6 Student Choice Artwork · Component 7 Student Portfolio Presentation Elective Level Portfolio (Grades 10-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Exploratory Artwork · Selection 6 Exploratory Artwork · Selection 7 Exploratory Artwork · Component 8 Student Portfolio Presentation Major Sequence Level (Grades 11-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Focused Artwork · Selection 6 Focused Artwork · Selection 7 Focused Artwork · Selection 8 Focused Artwork · Component 9 Student Portfolio Presentation This program supports the following NYS Learning Standards: Visual Arts — Creating: · Investigate, Plan, Make (generate and conceptualize artistic ideas and work) · Investigate, Consider, Respect, Make (organize and develop artistic ideas and work) · Reflect, Refine, Continue (refine and complete artistic ideas and work) Visual Arts — Presenting · Select, Preserve ( analyze, interpret and select artistic work for presentation) · Curate (develop and refine artistic techniques and work for presentation) · Share, Relate (convey meaning through the presentation of artistic work) Visual Arts — Responding · Perceive, Analyze (perceive and analyze artistic work) · Interpret (interpret intent and meaning in artistic work) · Evaluate (apply criteria to evaluate artistic work) Visual Arts — Connecting · Synthesize (synthesize and relate knowledge and personal experiences to make art) · Interrelate, Extend (relate artistic ideas &works w/ societal, cultural, & historical context) Categories: Art

Lisa David offers a fun, engaging experience teaching oil painting or pottery to high school students. Lisa is an award winning artist from Saratoga County, NY. After a long career as a production potter, Lisa became an art teacher and earned National Board Certification. Lisa taught at Schenectady School District and at Shenendehowa in Clifton Park, NY where she instructed hundreds of students in advanced drawing & painting and craft classes. She took up painting still life, landscape and narrative paintings. Her simple approach to still life painting has advanced her hundreds of high school students into acceptance into the best art schools. Her emphasis on observational drawing, seeing color, using value and composition to engage the viewer are taught during instruction. Lisa’s vintage-inspired still life is sold online and through her gallery representation at Spa Fine Art, Saratoga. She often plein air paints (paint outside from life) and has taught numerous workshops and classes at Saratoga Arts Center. Her numerous high school students have recalled their plein air painting as their “best art experience." Her pottery skills are also exemplary. Lisa once owned Picket Pottery, a production pottery business, selling her functional wares across the country. Once represented with over 18 salespeople, her pottery was sold in hundreds of stores nationwide. Lisa still throws pots, although does so for enjoyment rather rather than for profit. If you are interested in having Lisa demonstrate painting or pottery and talk about the art of business, please reach out! She is a natural with students of all ages.

Historic Cherry Hill tells a story of America through the lives and experiences of five generations of an Albany, New York, family. One of Albany's most recognizable landmarks, Cherry Hill was built in 1787 for Philip and Maria Van Rensselaer. Rare among this country's house museums,Cherry Hill's extensive and intact collection includes more than 70,000 items-decorative arts and furnishings, books, diaries, documents, clothing, bedding, photographs, and other objects reflecting daily life-all related to the family that lived here between 1787 and 1963. On-site Programs: Contact holly@historiccherryhill.org to plan your visit. Mining the Untold Stories: Black & Female Voices at Historic Cherry Hill, Schuyler Mansion, & the Stephen & Harriet Myers Residence Grades 4-8 Group size: max. 30 students (Up to 90 students for a 3 site visit) Length: 60 minutes per program (approx. 4 hours for a 3 site visit) Schools are invited to visit up to three historic sites in the city of Albany on the same day to build a stronger understanding of New York State history and the diverse voices in our historic communities. Each site guides students through an examination of the experiences of underrepresented people living in Albany during three different time periods, from the turn of the 19th century through the late 1800s. Pre-Visit Materials, Digitized Collections and other Teacher Resources are available on Consider the Source New York Historic Cherry Hill's "Mining the Untold Stories" programs are divided by grade into 2 distinct offerings: Time Capsules Through History, grades 4 & 5 Students work in small groups to learn about 3 generations of families who lived and labored at Cherry Hill and in Albany's South End during the 1800s. They explore time capsules left by individuals affected by slavery, industry, immigration, urbanization and other changes. Students also tour this historic house and tie it all together with an interactive timeline activity. Greetings from Cherry Hill, grades 7 & 8 Students examine letters and other primary sources to compare and contrast the experiences of two wards and domestic workers who grew up in Van Rensselaer households between 1850 and 1900. They tour the historic house, participate in a letter reading workshop, and interactive timeline activity to discover change over time, particularly for women and people of color. Students leave with materials to write their own postcards "19th century style." Research and planning for "Mining the Untold Stories" was funded by the National Endowment for the Humanities (NEH) through the American Rescue Plan (ARP). New & Improved! The 1827 Murder Mystery at Cherry Hill Grades 7-12+ Students take on the role of coroner to investigate the suspicious murder of John Whipple on May 7, 1827. Working together, participants analyze primary source documents and object clues to learn about the roles (and experiences) of different members of the Cherry Hill household. This interactive tour uses the unique circumstances of the infamous murder at Cherry Hill in Albany to examine how attitudes about class, race and gender shaped life in early 19th century America. Group size: Up to 30 students, split into 2 groups Length: This program runs 60 minutes Learning to Look Tours Grades pre-K-12, college, and mixed age groups. Topics upon request. Outreach Programs: We can come to your school (space providing) or a location of your choice (we love to partner!). Hudson River Trading Game- This program complements New York State Learning Standards in Social Studies & ELA. Grades 4 & 5 This hands-on program creatively combines history, economics, science, ELA and math. Students role play using a 34-foot game board to experience the challenges of 18th-century trade and travel on the Hudson River and discover how Hudson River trade was linked to global trade. Group size: Up to 25 students per program, 2 classes per outreach visit Length: Approximately 60 min. (depending on group size), with additional time to set up & pack up. Kit Option: A more cost efficient way to play- borrow the Hudson River Trading Game as a board game to facilitate at your school! The *New* Cherry Hill Case- This program complements New York State Learning Standards in Social Studies and ELA. Grades 4 & 5 Through hands-on exploration of primary source documents, photographs and objects, students work together to investigate the roles, relationships, and every day lives of people who shared a home at Cherry Hill during the mid 1800s. The Cherry Hill Case is "closed" when students test their hypotheses through participation in a document-based Reader's Theatre. Group size: Up to 1 class (25 students) per program, 2 classes per outreach visit Length: Approximately 90 minutes Live Remote Programs: Life at Cherry Hill Show & Tell (grades 4 & 5): Learn about life in the mid 1800s by seeing objects that belonged to members of the Cherry Hill household. Presentations (grades 7-12): Interactive slide presentations: The 1827 Cherry Hill Murder...dig into early 19th century issues of women's roles, legal rights, social class, punishment & law, and slavery in New York. Hear the words of those involved in the crime and decide whom you think was guilty or innocent. Child Servants at Cherry Hill: Kinship & the Struggle for Autonomy...explore the experiences of children raised as servants in Van Rensselaer households during the Victorian Era, their connection to Cherry Hill's earliest days, and the practice of child indenture in Albany. Agency & Identity: Cherry Hill's Would-Be Sisters...analyze the photographs, accounts, and possessions left behind by two Victorian Era women to understand how class, race, and gender shaped life. Tours (grades 4 - 12): Take an interpretive live tour of Cherry Hill Mansion, the Edward Frisbee Collections Care Center or the historical gardens grounds, topics vary by season and age.

Nick Tokman, “Sunshine” on Discovery Channel’s ‘Deadliest Catch,’ speaks nationally building students' self-worth so they think for themselves and make the best decisions for their future. He partners with schools to address common issues students face including peer pressure, high expectations from family and negative influences. Through storytelling and visuals, he shares with students his path prior to becoming known as ‘Sunshine’ on the hit tv show and how he dealt with struggles that many teens and tweens go through along with the mindset he developed to overcome his obstacles, mistakes and failures. After Nick’s presentation, students will leave believing in themselves to say no to peer pressure and other outside influences that get in the way of who they are and what they want to do with their lives. Having presented across the country to crowds as large as 17,000 people, students will leave remembering these lessons in an entertaining and memorable way. Nick is available both live and virtually. See Nick’s website to tour his virtual studio!

The Compassionate Leaders Circle (CLC) proudly offers Student Leadership Labs for K-12 students, fostering creativity, self-discovery, and meaningful connections at every stage of their educational journey. Book Lab for Elementary Schools empowers young learners to write and illustrate their own stories, which are professionally published on Amazon. This exciting experience allows students to showcase their work to friends, family, and local libraries, building confidence and pride in their achievements. Dream Lab for Middle Schools guides students to uncover their core values and collaborate in learning pods. These sessions strengthen their connection with themselves and their peers while setting actionable goals for a purposeful and rewarding transition into high school. Purpose Lab for High School and University students helps participants realign with their personal values and aspirations. Using proven methodologies, this program equips students with actionable steps to pursue a fulfilling life and realize their full potential. CLC has aligned its programs with NYSED’s initiatives, including the “Portrait of a Graduate,” to support students in achieving a successful path to graduation. Each lab is thoughtfully designed to inspire and empower students, creating lasting impacts both within and beyond the classroom.

Bi-Okoto creates performances and educational experiences to help audiences of all ages and backgrounds engage and bridge cultural gaps. We use authentic African culture-based theatre, music, drums, dances, cooking, languages, and clothing to accomplish that. Our B-FIT classes are classes offered at our center on a weekly basis. They include West African languages (Yoruba, Kiswahili, etc.); Drumming (for kids, and mixed-levels); Dance (for kids, and adult mixed-levels); Drumming (for kids, and adult mixed levels); AfroPop Dance (ages 13 to adults); Cooking (ages 13 to adults) Images of Africa Summer Camp keep kid 6-12 engaged in activities from our B-FIT classes in. Kids participate in cultural and character-building activities at the center, and they have weekly field trips to various community-based arts activities. In Tolongo Afterschool program we offer similar contents as in our summer camp programming above, but only available when CPS schools are in session. E Sin Mi d’Africa (Come with Me to Africa), Residencies is our cornerstone program. This is a cultural and educational arts residency using multi-sensory, multi-disciplinary learning experiences integrated into student's daily academic curriculum that addresses student needs over the course of a nine-month. This is integrated into the schools’ arts curriculum, working with school. Wa-Zo-Bia Movement & Music Workshop helps students understand math skills, purpose & meaning of the drum and heartbeat, and the communicative language of the drum that mimics different cultural tribes. The workshop compares & illustrates to students the similarities & differences of popular movements & music and how it relates to what is done every day in common situations such as walking. Ekaabo School Assembly program (West African – with emphasis on Nigeria) We take students on an interactive journey from USA to a handful of West African countries. The richness of African culture is revealed through a broad range of dance and languages. Akwaaba and Tooli, are similar program with emphasis on Ghana and Guinea, respectively. “Agidigbo” is a monthly gathering that seeks to foster interactions, drumming, dancing, play reading amongst young adults ages 20-40. “Agidigbo” aims at creating a space with a supportive and welcoming environment to YPs, for discussion, learning, socializing, engaging, and networking opportunities; To further attract and retain/hire Young Professional to the community. HeartBeat Drum Circle- this event is a quarterly event that seeks to foster connection and positive interactions amongst our patrons/community for healing, fun or for music enthusiasts with percussive instruments who come to share and learn. Three Annual stage productions (selections from Igbeyawo, Yemoja, Irin Ajo, etc…) Each production is written to expose the “western” culture to traditional, contemporary, or comedic African theatre which includes a narrating character, live music, songs, dance and students from the adult & children’s classes. Okoto-Kekere (2nd Company) - is designed and tailored to nurture young and budding creatives who are seeking to pursue a career in Afrocentric theater Arts. We pair the youths up with our professional TPAs to provide them with firsthand training and experimental learning opportunities in a holistic way – learning it all, from scripting, backstage management, acting, tech booth management, lighting etc. All our programs are carefully engineered to be in alignment with our mission.

I am a third generation artist whose paintings of race horses are in a number of private collections of prominent horse people across the country. I would like to do presentations involving reading my children's book "Awesome Elijah," a drawing lesson, and play and sing the song that I wrote that goes with it, or play a professional recording of it. Elijah, the calf, is rescued from certain death, and grows up to be a much loved steer who is ridden at a Horse Expo at the Saratoga Race Course. This true story illustrates just what an effect one act of compassion can have on so many lives.

Seagle Festival offers a touring in-school children's opera performance each early fall season in September and early October. Available children's operas are suitable for pre-K-6 audiences. The booking includes a 30-45 minute performance, plus a short question and answer session, as well as a professionally produced teacher guide with pre and post opera activities to integrate students' opera experience into their regular curriculum.

We are offering three different shows to bring to students that are friendly for the whole family! PACKRAT: Set deep in the Sagebrush Desert, PACKRAT is a visually stunning puppet-forward play that contemplates humanity’s relationship with the natural world. Puppetry, projections and an original score elegantly come together to create many layers of meaning and emotions. At the center of the action is Bud, a peculiar rodent with a penchant for hoarding humankind’s goods. When a discarded cigar sparks a wild fire, the animals in Bud’s valley flee for their lives. Already an outcast among the desert animals for his hoarding instincts, he gets blamed for the human-made disasters infiltrating their lives. When they ban him from the community, Bud must set out alone amidst a raging fire, to confront human-made dangers and a few natural ones. PACKRAT is a poignant account of Bud’s journey to find his place in the world, and his ultimate realization that the interconnectedness of life rules the day. GEPPETTO: EXTRAORDINARY EXTREMITIES is a tale of resilience and adaptation that tells the story of puppet-maker Geppetto, who is attempting to perform — all by himself for the first time ever — the grand mythical love story of Perseus, who slays a sea monster to save his beloved Andromeda. During the show things begin to go haywire, and Geppetto finds himself desperately improvising to overcome the challenges of performing solo while at the same time scrambling to devise new story lines, new characters, and even new limbs. GEPPETTO was inspired by a NPR story on Hugh Herr, whose legs were amputated after a climbing accident and who now designs technologically advanced artificial limbs. GEPPETTO opened Off-Broadway 2014 at SoHo Playhouse, has had a 7-City Northern Italy Tour, performances in Italian and a Costa Rica Tour, performances in Spanish. GEPPETTO has toured extensively in USA. 2017, GEPPETTO toured South Korea and 2018: Canal Café Theatre, London; SUNY Orange, Newburgh; NYS Puppetry Festival, Perry. ERNIE'S SECRET LIFE is an episodic odyssey, fusing ever-changing puppetry and stagecraft with humor, music, and a raw understanding of our profound collective reality. Sparked by the isolation and turmoil of our time, ERNIE'S SECRET LIFE is a story of discovery for all. A man fearing something has happened to his son, builds a canoe and secretly sets off to find him. What he finds instead – is himself. Powered by a wondrous landscape-in-motion, the play is about escaping and then finding your way… a celebration of how we become who we want to be. Concrete Temple Theatre offers a variety of workshops to accompany our performances. Subjects covered can include performance skills, theatrical adaptation, puppet construction, and storytelling. The work students create will play as a prelude to our performances. Workshops can be tailored to your needs, ranging from an hour-long exploration to a week long intensive. Please inquire to specify desired content, length and price.