Touches of Nykesa delivers structured, confidence-centered education that supports natural hair health, self-esteem, and identity development for youth and families. Our offerings are designed to be developmentally appropriate, culturally responsive, and scalable for schools, community organizations, and youth-serving institutions. Crown Confidence Workshops • Single-session or multi-week workshops focused on natural hair care, scalp health, and confidence-building • Hands-on, interactive learning that teaches students how to safely care for their hair and understand their unique textures • Instruction rooted in self-love, cultural pride, and positive identity formation • Inclusive, trauma-informed, and LGBTQ-affirming facilitation • Adaptable for classrooms, after-school programs, and community-based settings Lil’ Crowns Big Confidence Read-Aloud Workshops • Guided read-aloud sessions based on the Lil’ Crowns Big Confidence book series • Designed for early learners and elementary-aged youth • Focus on self-acceptance, confidence, and pride in natural hair • Interactive discussion, reflection, and age-appropriate engagement activities • Supports early literacy, emotional development, and positive self-image Hair Health & Wellness Education • Foundational instruction on hair science, scalp care, and healthy daily routines • Education on breakage prevention, protective practices, and long-term hair wellness • Early awareness around hair loss and sensitivity to children experiencing hair or scalp challenges Educational Materials & Student Takeaways • Work packets, reflection tools, and learning resources to reinforce instruction • Optional workbooks, hair care kits, and certificates of completion for extended programs • Materials designed to support continued learning beyond the workshop Product-Based Learning & Support • Access to plant-based, science-informed haircare products • Ingredient education to promote safe, informed product use • Hair care kits for workshops, home use, or ongoing support Community & Institutional Partnerships • Customizable programming aligned with organizational goals and student needs • Scalable delivery for small groups or large cohorts • Professional, consistent facilitation with an emphasis on outcomes and impact Touches of Nykesa offers more than programming—we provide intentional, confidence-building education that equips youth with knowledge, pride, and practical skills they can carry into adulthood.

As a read aloud advocate, I believe in the power of stories to nurture empathy, self-confidence, and imagination in young readers. My award winning books focus on social-emotional themes that support early childhood development, creating meaningful narratives that resonate with children, educators, and parents alike. *Fantastically Me!* (ages 0-8) touches on themes of self-belief and growth mindset. Whereas *Making Friends Together * (ages 0-5) is a board book that addresses kindness and friendship. In my author visits, I bring these stories to life for students up to 2nd grade through engaging, interactive read-aloud sessions, inviting children to explore their own feelings and ideas in a fun, safe environment. For older elementary students, I offer hands-on writing workshops that guide them in crafting their own stories, encouraging self-expression, creativity, and a love for writing. These sessions are designed to inspire confidence in young writers, from filling in imaginative story blanks to creating characters and worlds that spark their curiosity. With each visit, my goal is to leave students not only with a memorable experience but also with the tools and encouragement to tell their own stories.

We offer workshops with middle and high school bands to help promote instrumental music in our schools. We can present a concert of the best in wind band literature. We can have CVWE members sit in rehearsals with middle school/high school bands, and we can combine our group with the school band for a piece or two for a concert presentation. We have found this especially effective with some of the smaller schools who may not have enough students in band to play in a "full band" situation. Our participation also highlights the lifelong love of instrumental music as our group spans the ages of 16 to 80+. While many of our group are current or retired music teachers, many are not, which shows that you can have a career besides music, but still have opportunities to play as an advocation.

Seneca Park Zoo is your guide to connecting students with nature, wildlife, and the environment. With inquiry-based programs for all grades, you can find the right program for your students, your subject, and your curriculum needs. You can enhance a Zoo visit with an Animal Presentation or Expedition program or to bring the Zoo to you with a ZooMobile outreach program. All programs reflect Next Generation Science Standards (NGSS) and New York State P-12 Science Learning Standards through explorations of animal behaviors, biological systems, species diversity, and inter-connectedness.

Mayta's Movement Programs: Teach to inspire. Touch the heart. “Ye are the fruits of one tree, the leaves of one branch.” Baha’u’llah A philosophy centered on teaching the love of the art of movement, multiculturalism, and helping students become peaceful, global citizens. Fusion Dance: This program has been developed to enable participants to understand, be inspired by and learn about different cultures through dance. It features Flamenco (Spain), Bharatanatyam (India), West African, Modern (USA), Latin, and Caribbean dance styles. The goal of this program is for students to learn the differences, similarities, history and cultural aspects of each dance style. Students engage with this material through an embodied, experiential approach. Spanish Language through Movement: This multidisciplinary program was developed to enable participants to learn, interpret and understand Spanish language through movement. The goal of this program is to foster learning of conversational skills in a new, fun way, for use in travel and daily life. The aim is for each participant to develop a love for Spanish culture and an excitement to learn more about this beautiful language. As a key aspect of cultural immersion, students learn Latin dance styles such as Salsa, Merengue and Bachata. Creative Movement and Yoga: Explore the world of movement! This lively class introduces participants to the basic dance concepts such as rhythm space, and music. Literature, poetry, visual art, props, yoga and storytelling are included to allow the participants to stretch their bodies and their imagination! This class will improve flexibility, creativity, concentration, focus, balance, bodily awareness, and strength. Transcending language prejudice through movement: Let's have a conversation about language, being bilingual, having an accent and how one gets treated because of how one speaks. Lets listen to each others stories about language and its affects. We will be creative and explore the power that language has on the world through movement. My aim is that we find our respect for the languages of the world and to bring awareness that languages bring us together. Through movement explorations and story telling.

I was born in La Paz, Bolivia, and immigrated to New York as a child, where my passion for art and education developed. I earned a Bachelor of Fine Arts from C.W. Post/Long Island University in 1998 and a Master of Arts in Education from the University of Phoenix in 2006. Volunteering on the Kumeyaay Indian Reservation in California was a pivotal experience that fueled my commitment to using art for educational and empowering purposes. In 1998, I moved to Phoenix and began teaching art in local schools while working on custom metalwork and sculpture. I founded after-school art programs and developed partnerships with local art organizations, shaping my philosophy as an artist-educator. A sabbatical at Ironco Enterprise allowed me to expand my skills in fabrication, CAD design, and project management. By 2009, I dedicated myself to being a professional artist, co-founding the Calle 16 Mural Project, which focuses on revitalization through muralism and storytelling. My work reflects my immigrant experience and Bolivian heritage. Now based in Ithaca, NY, I continue to create art that fosters connections and inspires community engagement. “¿Rendirme yo? ¡Que se rinda su abuela, carajo!” — Colonel Eduardo Abaroa Hidalgo

The Moneyling Financial Education Curriculum is a comprehensive, story-based program that. makes financial literacy engaging and relatable through real-life scenarios and characters. Designed for flexible delivery, it offers teacher-led instruction, interactive Learning Management System (LMS) features, or a hybrid model - complete with auto-graded assignments, printable resources, and progress tracking. This dynamic curriculum simplifies complex financial concepts, helping students apply practical knowledge to real-world situations.

Our mission at BIG INK is to encourage appreciation for woodblock printmaking: one impression at a time. In 2012, Lyell Catongguay founded BIG INK to provide woodblock printmaking workshop opportunities for people of all skill levels. As a result, thousands of individuals have learned how to carve wood by following Castonguay’s online master class, and numerous community members have attended BIG INK’s workshops to witness the spectacle of large-scale woodblock printing. With its community-driven and public art education model, BIG INK is committed to ensuring a promising future for printmaking. Hire BIG INK for a workshop at your school. We’ll travel to your location and set up The Big Tuna, our custom-designed giant mobile printing press. Does your group have limited woodblock carving experience? That is okay. We’ll be your guide!

We provide an exciting, motivating assembly that includes a group jump rope showcase, gymnastics and dancing with a jump rope, audience participation, and discussion on healthy lifestyle choices. Students and staff alike will leave with the desire to pick up a jump rope.

I offer two one-person plays (one about Langston Hughes the other about Dr. King) and one poetry reading from my award-winning poetry collection Boneyarn, the only book of poems about slavery in New York City, where the oldest and largest slave cemetery in the United States is located. In conjunction with any of the above presentations, I have thematically related writing workshops so students can have their own creative experience to go along with my presentations. Below are descriptions of the three shows. I also give talks about the Harlem Renaissance, Jazz Trumpeter Louis Armstrong, and Tuskegee Airman Harry Stewart Jr, who was part of the first group of African-American military pilots who fought in World War II. Below are descriptions of the Langston Hughes, Dr. King and Boneyarn presentations. DAVID MILLS PRESENTATIONS 1) The Dreamweaver: Langston Hughes Performance and Creative Writing Workshop What better way to celebrate Harlem Renaissance writer Langston Hughes—affectionately known as “Shakespeare in Harlem”—than to have students see a dramatic 45-minute presentation about Langston Hughes. Actor David Mills, (whose Hughes show was voted the #4 young-adult show in the nation by The American Library Association) does just that. He takes students on a theatrical odyssey of Hughes’ life spanning six decades from his humble Missouri childhood to his days living in Harlem as an adult. Mr. Mills also captures Hughes’ world travels and writing of his classic poems, such as “The Negro Speaks of Rivers,” “Mother to Son,” “I, Too,” “Montage of a Dream Deferred” and “Madam Alberta K.” While playing black and white, young, old, and male and female characters, Mr. Mills captures Hughes’ unending love for Harlem—with its foibles and fantasies, bruises and beauty. Mr. Mills show also explores how Hughes wrote nearly 50 plays. A Q&A would follow the presentation. Mr. Mills could also conduct a writing workshop using a Hughes blues poem as a model. 2) Dare to Dream: Dr. King Performance and Creative Writing Workshop In a 45-minute, dramatic presentation for an auditorium of students and teachers, actor David Mills would take the audience on an engaging, historic journey, where they witness Dr. King go from a young preacher (with uncertainties about Civil Rights during the Montgomery Bus Boycott) into the nationally-recognized figure he became during the 1963 March on Washington. Mr. Mills’ stirring performance looks at Dr. King as both the public figure and private man. Be roused, be inspired, be transported by “Dare to Dream,” Mr. Mills’ theatrical tribute to Dr. King. A Q&A would follow the performance. Mr. Mills has worked as a teaching artist and performer for over 20 years in schools, universities, and senior centers. So, in conjunction with the performance Mr. Mills can also lead a 45-minute creative writing workshop, in a smaller classroom setting, using Dr. King’s iconic “Letter from a Birmingham Jail” as a writing prompt. This workshop will get students to write poems in the forms of letters that relate to their lives. Talking to the Bones: Poetry reading about slavery in New York City and Creative Writing Workshop. Award-winning-poet David Mills would read from his collection, Boneyarn, winner of the North American Book Award and the only poetry collection about slavery in New York City, where the oldest and largest slave cemetery in the United States is located. Mr. Mills would conduct a 45-minute reading to an auditorium and use projected visuals to give attendees a sense of 17th-19th century New York. Mr. Mills would discuss the research and writing process that went into creating this groundbreaking book, where he weds little-known colonial history and poetry. What lessons can be learned from coupling these two disciplines. The reading would also be followed by a Q&A. Mr. Mills has worked as a teaching artist and performer for over 20 years in schools. Therefore, in conjunction with the reading, Mr. Mills can lead a 45-minute creative writing workshop that uses a question-and-answer form from his book Boneyarn to get students to write their own poems reflecting on slavery in New York City.

Portfolio Project Grades: 4 -12 Description: The Portfolio Project is an initiative of NYSATA (New York State Art Teachers Association) that was developed in cooperation with the New York State Education Department. It is an authentic assessment tool that is based on The New York State Learning Standards and provides students with an opportunity to present portfolios of their work at regional adjudication sites. The student portfolios provide evidence of understanding and student learning in the visual arts. Feedback is available for the student, parent, school, and community. The Portfolio Project can provide an authentic source for data on student success in the visual arts. Cost: $15 per student EXAMPLE of an approved BOCES Arts in Ed project: https://sites.google.com/btboces.org/classroom-enrichment-resources/arts-in-education/nysata Student Portfolio requirements vary by grade level: Elementary Level Portfolio (Grades 4-6) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Student Choice Artwork · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Middle Level Portfolio (Grades 7-8) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Student Choice Artwork · Selection 5 Student Choice Artwork · Component 6 Student Portfolio Presentation Commencement Level Portfolio (Grade 9 or intro level students) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Student Choice Artwork · Selection 6 Student Choice Artwork · Component 7 Student Portfolio Presentation Elective Level Portfolio (Grades 10-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Exploratory Artwork · Selection 6 Exploratory Artwork · Selection 7 Exploratory Artwork · Component 8 Student Portfolio Presentation Major Sequence Level (Grades 11-12) · Artist’s Statement · Selection 1 Self-Portrait · Selection 2a Resource-Based Artwork · Selection 2b Resource-Based Artwork · Reflection Written Statement · Selection 3 Art from Observation · Selection 4 Process Piece · Selection 5 Focused Artwork · Selection 6 Focused Artwork · Selection 7 Focused Artwork · Selection 8 Focused Artwork · Component 9 Student Portfolio Presentation This program supports the following NYS Learning Standards: Visual Arts — Creating: · Investigate, Plan, Make (generate and conceptualize artistic ideas and work) · Investigate, Consider, Respect, Make (organize and develop artistic ideas and work) · Reflect, Refine, Continue (refine and complete artistic ideas and work) Visual Arts — Presenting · Select, Preserve ( analyze, interpret and select artistic work for presentation) · Curate (develop and refine artistic techniques and work for presentation) · Share, Relate (convey meaning through the presentation of artistic work) Visual Arts — Responding · Perceive, Analyze (perceive and analyze artistic work) · Interpret (interpret intent and meaning in artistic work) · Evaluate (apply criteria to evaluate artistic work) Visual Arts — Connecting · Synthesize (synthesize and relate knowledge and personal experiences to make art) · Interrelate, Extend (relate artistic ideas &works w/ societal, cultural, & historical context) Categories: Art

'Traditions of Chinese Acrobatics' is a solo acrobatic performance. Li Liu performs hand balancing, artistic cycling, plate spinning, ribbon dancing, diabolos and foot juggling. A limited number of volunteers get to join her on stage to create an impromptu ribbon dance, and also to try their hand at plate spinning. Educational connections are made with the Chinese language and culture. Li explains some of the rituals of Chinese New Year, teaches the audience some basic Chinese phrases, and encourages them to think about what it might have been like to grow up in a different time and place.