Kate Klise wrote her first book when she was ten years old, so she speaks with a certain authority when she encourages children to begin their writing careers now. With more than thirty books to her credit (picture books, early readers, middle grade novels, and one YA title), Kate relates well to students of all ages. When working with early readers (grades K-2, 30 minutes), Kate offers gentle advice about writing stories and invites students to create an original story on the spot. When presenting to older students (grades 3–6, 50 minutes), Kate focuses on the writing process: where she gets her ideas, how she writes her rough drafts, why the art of rewriting is so critical, and—yes!—how she comes up with all those punny names in the Regarding and 43 Old Cemetery Road series. In addition, Kate explains the classic elements of storytelling, including the importance of sending characters on journeys. In addition to large-group presentations, Kate also offers fiction and non-fiction writing workshops for smaller groups (30 students or less, 50 minutes). As a 15-year veteran for People magazine, Kate enjoys sharing her tips and tricks for writing on deadline. Over the years she’s taught countless students how to write colorful, compelling, and often hilarious People magazine-style stories about themselves and others.

Multi-award-winning, bestselling author Paul Volponi (38 years of classroom experience) teaching 4 to 5 workshops per day, combing how literature is a daily part of our lives and creative writing. Not a lecture, but a group dynamic where everyone speaks and writes -- powerpoint presentation in the background.

Sweet Sprig: Hands-On Natural Skincare Workshops for Teens With 25 years of artisan skincare experience Give your students the chance to connect science, creativity, and self-care with Sweet Sprig’s natural skincare workshops. Led by a seasoned maker with 25 years in the skincare industry, these engaging, hands-on classes teach teens how to craft their own facial care products, body scrubs, and candles—using safe, eco-friendly ingredients. Each workshop blends elements of chemistry, sustainability, and wellness in a way that resonates with today’s students. Teens will learn: How to make customized skincare using natural ingredients The science behind emulsions, essential oils, and preservation Responsible sourcing and sustainable packaging practices The importance of self-care and self-expression Workshops are ideal for health, science, family & consumer science, or art classes, and can be tailored to your curriculum or event. All materials are provided. Students leave with finished products, newfound confidence, and real-world skills they can use at home.

One of the top Polka bands in the region, we perform Polka Music for Cultural Diversity/ Arts In Education programs.

The Memory Project is a unique initiative in which students create artwork for children facing substantial challenges around the world. We begin by matching you with children on our waiting list and emailing their photos to you. Advanced art students can then make portraits for them, while novice art students can make "identity art" focusing on the children's names and positive affirmations. Next, you mail the finished artwork to us, and we deliver it to the children. We'd love to have you and your students involved!

An agency devoted to bringing award-winning children’s authors and illustrators to you through school and library visits, conferences and festivals, and special events. It is our goal to make your events spectacular. To take the hassle out of the event planning. To create an environment where authors and illustrators do what they do best, inspire.

Griffin Brady is a celebrated teaching artist who holds a masters degree in Ethnomusicology and is the acclaimed director of the Slyboots School, Slyboots Circus and the Bernard Woma Dagara Music Center USA. Griffin leads tours to schools across the country with the Slyboots Circus and the Saakumu Dance Troupe from Ghana, West Africa.

New York Times bestselling author of middle grade and young adult author of over 40 books, Jen Calonita offers both large and small group author assemblies and writing workshops that focus sparking creativity in children. Using popular fairy tales, Jen offers both a "Twisting Tales" workshop for younger and older grades as well as an editing workshop for older students. Her assemblies focus on how she went from a reluctant reader to a writer and how students can turn their own ideas into story magic.

You Can Do a Graphic Novel, Comic Book, Meme, or Zine Categories: Creative Writing, Visual Arts Curriculum. Costs VIRTUAL PROGRAMS (ZOOM) One-hour interactive classes, unlimited participants: $500.00 LIVE IN-PERSON PROGRAMS One day: $1,200.00 Four days: $3,800.00 Eight days: $6,500.00 For venues more than 40 miles from Hudson, NY travel cost of $0.50 mile will be added. For venues more than 40 miles from Valatie, NY travel cost of $0.50 mile will be added. Available year-round. Program Theme: Students learn how to create a graphic novel beginning with a six page comic. It doesn’t matter if they can draw. Stick figures are an expressive way for the reluctant artist to begin. Participants are encouraged to bring their sketchbooks and characters they may already be working on. They will learn about The Creative Process, how to write a Character Study, focus on the beginning, middle, end and twist of a story, and Create Layouts. If the program is an assembly, Barbara talks though the program with on-screen illustrations of the process. The school is to provide a computer, projector and screen. Program Description: Each program is custom tailored to the grade, number of students in the class, and number of sessions. If there are four or more sessions per class, the program finishes with a Graphic Novel Exhibition (see below). The Creative Process: 20 creative tips. Creating Characters: Participants complete bio sheets with the character’s name, age, best friend/side kick, powers (if any), biggest fear, life goal, etc. Plotting: Learning how to plot challenges the student to complete a story. Too many begin the story and throw it out somewhere in the middle. The student learns to plot by color code, a method used by film/tv/graphic novel writers. Layout: Participants learn about panels, thumbnails, dialogue balloons, sequence, and making a page pop. Rather than drawing “talking heads,” they draw a close-up, pull back for a long shot, followed by interior, exterior, bird’s eye views. Everybody works at their own pace. Some are advanced artists/writers while others are beginners. It doesn’t matter where they begin as long as they get going. I hand out a “character bible” sheet and encourage them to think about the beginning, middle, end and twist of their story. The twist is what makes the story interesting. I bring in samples of character bibles from Marvel comics which they can keep, and scripts written by professionals. Feedback is an important part of the program. It usually begins when I hold up a student’s drawing and ask them to suggest a name, age, or character trait. The student can take the suggestions or discard them, however, it opens up discussions. In the first session, students are sometimes quiet/shy with other students but by the second, they open up about their characters and stories. After the last workshop, the doors open to parents, friends, relatives, the community, and the local press. Students show and talk about their work…where they got their inspiration for characters/story. The “Graphic Novel Exhibition” attracts a lot of attention and often results in newspaper articles. Having artwork in the newspaper is great for a student’s self-esteem and for their portfolio. Copies of Barbara's textbook You Can Do a Graphic Novel can be ordered for the school library, and discounts are available from the publisher for class-size orders. http://youcandoagraphicnovel.com/students1.htm

Step back in time to one of the most pivotal moments in our nation's history through a powerful experience of sight, sound and interaction-one that's sure to engage, enlighten and entertain all ages. Learn of how and why Theodore Roosevelt was inaugurated as the nation's 26th President in Buffalo, NY in 1901, and how TR's presidency affected the course of the nation.

A standard visit consists of three presentations of up to an hour each. With younger children I focus the talk around my first picture book, The Foolish Giant. For grades three and up I generally use my novel The Monster's Ring. Each session begins with some high energy storytelling and includes a fair amount of humor. Along the way I address where ideas come from, issues of editing and rewriting, and demonstrate how a story is put together. The sessions are designed to include practical tips on writing that teachers can immediately put to use in the classroom.

John Collins is The Paper Airplane Guy. He is a keynote speaker with more than 30 years of experience, as well as an author, and a world record holder for paper airplane distance. His presentations are visually stunning and entertaining with the goal of engaging the audience and presenting great information. Students will explore science using the fun and wonder of paper airplanes. The Paper Airplane Guy’s 45-minute school show demonstrates a wide variety of aerodynamic principles: Lift, Drag, Gravity, Wing Loading, Control Surfaces, Dihedral Angle, Theories of Lift, Stalls, Slope Soaring, Canard Design, Scale Effects, Glide Ratio, Sink Rate, and the crazy cool secret of the world record paper airplane. Twenty-four of John’s original designs provide real proof for the theories, plus a whole lot of fun for students (and staff too!). It’s real aerodynamics instruction, teaching the physics of flight, demonstrated and explained using paper airplanes. It’s fun and the materials are inexpensive and readily available in most schools because it’s only paper. The interactive school assembly includes 30 minutes of live and engaging instructional demonstration with about 15 minutes of hands-on paper airplane making.